Works Cited - Einav Zamir

Aronson, Arnold. Looking into the Abyss: Essays on Scenography. Ann Arbor: University of Michigan, 2005.

Baird, Bil. The Art of the Puppet. New York: Bonanza, 1973.

Bell, John. American Puppet Modernism: Essays on the Material World in Performance. New York: Palgrave Macmillan, 2008.

Bell, John. "Paul McPharlin and Puppetry at the Detroit Institute of Art." In American Puppetry: Collections, History and Performance, by Phyllis T. Dircks, 128-42. Jefferson, N.C.: McFarland & Company, 2004.

Bell, John. "Puppets and Performing Objects in the Twentieth Century." Performing Arts Journal 19.2 (1997): 29-46.

Bell, John. Puppets, Masks, and Performing Objects. Cambridge, MA: MIT, 2001.

Bell, John. Strings, Hands, Shadows: a Modern Puppet History. Detroit, MI: Detroit Institute of Arts, 2000.

Bigsby, C.W. E. A Critical Introduction to Twentieth-century Americam Drama. Vol. 3. Cambridge, U.K.: Cambridge University Press, 1985.

Blumenthal, Eileen. Puppetry: A World History. New York: Harry N. Abrams, 2005.

Calvi, Emilio. "The Marionettes of Rome." The Bellman [Minneapolis] 20 Jan. 1917, 549th ed.: 69-71.

Close, Anthony J. Miguel De Cervantes, Don Quixote. Cambridge: Cambridge University Press, 1990.

Cohen, William A., and Ryan Johnson. Filth: Dirt, Disgust, and Modern Life. Minneapolis: University of Minnesota, 2005.

Cook, John Douglas, Philip Harwood, Frank Harris, Walter Herries Pollock, and Harold Hodge. The Saturday Review of Politics, Literature, Science and Art. Vol. 82. London: J. J. W. Parker and Son, 1896.

De Neuville, Louis Lemercier. Histoire Anecdotique des Marionnettes Modernes. Paris: Calmann Levy, 1892.

De Neuville, Louis Lemercier. Souvenirs d'un Montreur de Marionnettes. Paris: M. Bauche, 1911.

Delgado, Maria M. Spanish Theatre, 1920-1995: Strategies in Protest and Imagination. Amsterdam, Netherlands: Harwood Academic, 1998.

Fell, Jill. Alfred Jarry: an Imagination in Revolt. Madison, NJ: Fairleigh Dickinson University Press, 2005.

Hames, Peter. Czech and Slovak Cinema: Theme and Tradition. Edinburgh: Edinburgh University Press, 2009.

Howard, Ryan. Paul McPharlin and the Puppet Theater. Jefferson, NC: McFarland, 2006.

Jannarone, Kimberly. "Puppetry and Pataphysics: Populism and the Ubu Cycle." In New Theatre Quarterly, ed. Clive Barker and Simon Trussler. Vol. 67, 239-53. Cambridge, U.K.: Cambridge University Press, 2001.

Jarry, Alfred. The Ubu Plays. Trans. Simon Watson Taylor. New York: Grove, 1969.

Jurkowski, Henryk, and Penny Francis. A History of European Puppetry from Its Origins to the End of the 19th Century. Lewiston, NY: Edwin Mellen, 1996.

Melcher, Edith. The Life and times of Henry Monnier, 1799-1877. Cambridge, MA: Harvard University Press, 1950.

Orenstein, Claudia. Festive Revolutions: the Politics of Popular Theater and the San Francisco Mime Troupe. Jackson: University of Mississippi, 1998.

Paul, David W. Politics, Art and Commitment in the East European Cinema. London: Macmillan, 1983.

Powell, Richard J. "Re/Birth of a Nation." In Rhapsodies in Black: Art of the Harlem Renaissance, by Richard J. Powell and David A. Bailey, 14-33. London: Hayward Gallery, 1997.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MA: MIT, 2010.

Sanders, Julie. Ben Jonson in Context. Cambridge, U.K.: Cambridge University Press, 2010.

Smith, Susan Harris. Masks in Modern Drama. Berkeley: University of California, 1984.

Swortzell, Lowell. "A Short View of American Puppetry." In American Puppetry: Collections, History and Performance, by Phyllis T. Dircks, 22-36. Jefferson, N.C.: McFarland & Company, 2004.

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